At glance, there’s already a sense that Turbo suffers of being unoriginal. It is yet another “inspirational” film of an underdog trying to make his impossible dream come true, and the fact that the concept is about a snail wishing to be as fast as a race car, it’s obvious that it’s trying to resemble with Ratatouille. In execution, Turbo results differently. It’s shallow when it’s trying to be inspiring, but there’s another message that can be much interesting than the iteration. Turbo is never ought to break some grounds nor bring any powerful drama, but it has its unique charm and humor that people may adore.